Saturday 17 January 2026
Saint Anthony, Abbot
on Saturday of week 1 in Ordinary Time
How wonderful is God among his saints: come, let us adore him.
Year: A(II). Psalm week: 1. Liturgical Colour: White.
St Anthony, Abbot (251 - 356)
St Antony is the originator of the monastic life. He was born in Egypt: when his parents died, he listened to the words of the Gospel and gave all his belongings to the poor. He went out into the wilderness to begin a life of penitence, living in absolute poverty, praying, meditating, and supporting himself by manual work. He suffered many temptations, both physical and spiritual, but he overcame them. Disciples gathered round him, attracted by his wisdom, moderation, and holiness. He gave support to the victims of the persecutions of Diocletian, and helping St Athanasius in his fight against the Arians. He lived to be over a hundred years old, and died in 356.
The Gospels are full of wise sayings of Jesus that seem to be ignored, and one of the most poignant of these was in his meeting with that young man who asked over and over again, insistently, “What must I do to have eternal life?”. When, in the end, Jesus told him that if he wanted to be perfect he would have to sell all that he had and give the money to the poor, the young man went away, sorrowing; because he was very rich. What could be more of a waste than that? You tell someone what he has to do, and he is afraid to do it. And yet... 250 years later, St Antony hears the story, and does give away all that he has, and becomes the founder of monasticism. And then again, over 1,000 years later, St Francis of Assisi hears the story, and gives away his possessions (and some of his father’s) and revolutionises Christianity again.
Not all the words that we speak are forgotten, even though we cannot see their effects ourselves. Let us pray that those unknown effects may always be good ones.
Other saints: Our Lady of Arabia
Southern Arabia
The recent title ‘Our Lady of Arabia’ accorded to our Lady represents the patronage of the Blessed Virgin over the Arabian peninsula. The devotion to our Lady under this title began in the 20th century with the dedication of a chapel by the Carmelite fathers in honour of Our Lady of Arabia. In the space of a year, the chapel was soon enriched with the same indulgences as the Papal Basilica of St. Mary Major, and the image – modelled after that of our Lady of Mount Carmel and solemnly blessed by Pius XII – was installed in it. In 1957, the Blessed Virgin under this title was declared the principal patroness of the Apostolic Vicariate of Kuwait, and the statue solemnly crowned on 25 March 1960. The 21st century saw a renewed effort in favour of the devotion to the Blessed Virgin in the newly constituted Apostolic Vicariate of Northern Arabia, as emblematic of the missionary character of the Church in the Gulf. The Blessed Virgin Mary, under this title, was declared the principal patroness of the region in 2013 by the Congregation of Divine Worship, and the proper Masses to the Apostolic Vicariate of Southern Arabia in 2014.
Though the title is relatively recent, the Blessed Virgin is not a stranger to the region. On the contrary, her praises are mentioned even among Muslims in the Quran, which regards her as “chosen above all women” (Sura Al-Imran, 42). History bears witness to a flourishing devotion in honour of the Virgin Mary in the southern part of the Arabian peninsula before the arrival of Islam, as evinced by the churches dedicated in her honour.
The veneration historically shown toward the Blessed Virgin by the native inhabitants of the region has revived and increased in the modern day with the arrival of migrants from all corners of the globe, fulfilling the divine promise uttered in the Spirit by the holy Virgin herself: “All generations will call me blessed” (Lk 1:48). With trust in her powerful intercession, they praise the Lord who “casts down the mighty from their thrones and exalts the lowly”. The Mother of God shines as a beacon of hope for the Christian faithful, illuminating the providence and fidelity of God to those who trust in him amidst the anxieties of life. Whether through her journey to the hill country of Judah with the child in her womb, or her flight with the infant Christ from persecution by Herod, the Blessed Virgin serves as an exemplar for migrant faithful who are sustained by their faith in Christ the Lord. To the missionary Church in Arabia, the Mother of God reveals a life closely associated with her Son, and perpetually pointing to him. Thus, as it strives to be the leaven of the Gospel in the society in which it exists, the missionary Church in the Gulf makes the words of its Mother and Queen its own: “Do whatever he tells you”.
To their Mother and Queen therefore, on this day, the Christians of Gulf turn with filial confidence, that she “whose radiant glance banishes storms and tempests and brings back cloudless skies (may) look upon these her innocent and tormented children with eyes of mercy; that the Virgin, who is able to subdue violence beneath her foot, may grant to them that they may soon enjoy the rightful freedom to practice their religion openly, so that, while serving the cause of the Gospel, they may also contribute to the strength and progress of nations by their harmonious cooperation, by the practice of extraordinary virtues which are a glowing example in the midst of bitter trials” (Pius XII, Ad Caeli Reginam, 50).
Saint Antony, Abbot
Gospel: Matthew 19:16-26
At that time: Behold, a man came up to Jesus, saying, ‘Teacher, what good deed must I do to have eternal life?’ And he said to him, ‘Why do you ask me about what is good? There is only one who is good. If you would enter life, keep the commandments.’ He said to him, ‘Which ones?’ And Jesus said, ‘You shall not murder; You shall not commit adultery; You shall not steal; You shall not bear false witness; Honour your father and mother, and, You shall love your neighbour as yourself.’ The young man said to him, ‘All these I have kept. What do I still lack?’ Jesus said to him, ‘If you would be perfect, go, sell what you possess and give to the poor, and you will have treasure in heaven; and come, follow me.’ When the young man heard this he went away sorrowful, for he had great possessions.
And Jesus said to his disciples, ‘Truly, I say to you, only with difficulty will a rich person enter the kingdom of heaven. Again I tell you, it is easier for a camel to go through the eye of a needle than for a rich person to enter the kingdom of God.’ When the disciples heard this, they were greatly astonished, saying, ‘Who then can be saved?’ But Jesus looked at them and said, ‘With man this is impossible, but with God all things are possible.’
Reflection on the painting
Saint Antony Abbot, more widely known as Antony the Great, is venerated as the Father of Monasticism. Born around 251 AD in Upper Egypt into a well-off Christian family, he was deeply moved by the words of Jesus in the Gospel: “Go, sell what you have, give to the poor, and come follow me.” Taking this literally, he gave away his inheritance and withdrew into the desert to live a life of prayer, solitude, and spiritual warfare. Antony became famous for his fierce battles against temptation, his long fasts, and his unwavering trust in God. He attracted disciples who sought to imitate his radical way of life, and though he never founded monasteries in a formal sense, his example laid the spiritual foundations for Christian monasticism. His life was written about by Saint Athanasius, and his biography spread across the Christian world, inspiring countless others, from the deserts of Syria to the cloisters of medieval Europe.
One of the most well know paintings depicting the saint, is Michelangelo’s The Torment of Saint Anthony. In fact, it is one of the very few paintings firmly attributed to him, and remarkably, he created it as a young teenager, around 1487–1488. He was only 12-13 years old! The work is based on a famous engraving by the German artist Martin Schongauer, depicting an episode from the life of Saint Antony the Great in which desert demons physically lift the saint into the air and torment him with bizarre, grotesque forms. Michelangelo, already showing the brilliance that would define his career, adapted Schongauer’s composition but enhanced it with a deeper sense of three-dimensional anatomy, muscular tension, and vivid colour.
He studied fish and other creatures from life at the market to give the demons more convincing and unsettling detail. The painting captures Saint Antony’s unwavering faith in the midst of spiritual assault. While monstrous beings pull, scratch, and batter him, his expression remains calm and focused on God, a visual testimony to inner strength against temptation.
The Temptation of Saint Anthony,
Painting by Michelangelo di Lodovico Buonarroti Simoni (1475-1564),
Painted 1486-1487,
oil and tempera on panel
© Kimbell Art Museum, Fort Worth, Texas